تبیین جامعه شناختی یادگاری بافی در قالی های عشایری و روستایی ایران (مطالعه ی موردی: قالی کرمانشاه)

In the carpet weaving system of Iran, in some cases, weavers have written weaving; these texts, which often include numbers and names, are from weaver extensions during the texture and can be distinguished from the carpet map, so it can be called " memorials weave " named. Although the memorial weaving is not limited to a particular region and geography, it is still visible in nomadic and rural carpets in Iranian carpet weaving. Traditional carpet of Kermanshah province, which is in the style of nomadic and rural tribal and under the category of Kurdish carpets, includes a considerable number of "memorials weave". According to the dates of the memorial weaving in the samples, the action is started at a certain time and gradually ends. Considering the characteristics of traditional carpet as a native and local cultural phenomenon on the one hand, and structural changes in the carpet weaving system of Kermanshah, on the other hand, the question arises as to how "memorials were affected by social, cultural and economic conditions”.  What was the relationship between the trends and the insights of weavers in Iran in general and in carpet weaving in Kermanshah in particular? The purpose of the present research is to present a sociological explanation of the action of a memorial weaving based on the Victorian Alexander diamond culture approach. The research method is descriptive-analytic and based on library and documentary studies. Research results indicate the role of supportive systems and distributors, consumption of art. The community of audiences and cultural changes of the community of carpet weavers in the emergence and decline of the action of memorial weaving.